’Tis that time of year, my dear, when it must be mentioned unmentionable things. You know what I’m talking about . . . all the things that get swept under the rug the rest of the time because we’re too busy living and struggling to get along with ourselves and each other to acknowledge them. And perhaps we don’t like to think about them. Maybe, too, some of us are in denial that they exist. Oh, but they do. There is an entire history of these things. “And why is that?” you may wonder. Go ahead, I’ll wait. As clueless as you might be, I am even more clueless. It doesn’t make any sense to me why, for example, the color of skin should make a difference in how people treat other people. Or why men should think that women are weaker and therefore less able to write good Horror and Science Fiction. There are all kinds of people, and who they are has nothing to do with their color except to define their origin up to a point (we are all from the same flesh if you go back far enough). There are also all kinds of strengths, and all kinds of weaknesses. Whether male or female, we have some of each.
It is my goal this month to help erase such misconceptions. Believe it or not they persist, however modern and evolved we have become. So this February I’ve been taking every opportunity to promote the ladies who love, support, create, and participate in Horror. It’s about pride, about letting the world know we exist. Our numbers are growing, and we are here to stay. I have been writing Horror for more than two decades myself; I simply wasn’t getting published until a little less than six years ago. And even then, the first three print books (including my initial poetry collection) were not being read until releasing an E-book in October of Twenty Eleven.
For those who are unaware (which is practically everybody in the world right now), in addition to writing dark verse, I am the author of horror stories and novels. This genre has long been one of my favorites — though I may blend it with humor, suspense, Fantasy, elements of Science Fiction. Okay, I confess it is the favorite, and has been since I can remember. Not really the gore-heavy explicit Horror that many associate with the genre these days. Sure, those pecked-out eyes in Alfred Hitchcock’s classic film The Birds definitely left an impression. Hitchcock, however, was a master at tingling your spine with anticipation and dread. He didn’t rely on extreme images or language to convey terror. That is the kind of Horror I aspire to craft. Not because I’m a woman and can’t handle the harsher, grosser stuff. I do spin some gruesome, even grotesque tales. There are plenty of us ladies who do; that is not the point. The point is, there are too few of the women in Horror who are at this point known well. This needs to change. We are hoping people will see there are more of us than they might think . . . and start knowing us better!
How writers tell a story, how we portray characters and describe events, is a personal preference. We all have them. It isn’t strictly a feminine trait to tone down the details or language; to elevate suspense over cheap thrills; to convey females as three-dimensional and not merely “objects” to dispose of or rescue. However we individually approach the genre, our work should not be dismissed for being different or old-fashioned. It shouldn’t be labeled as weak. Variety is a spice. There is room in Horror for diversity of style and content as much as plot. Don’t judge me. I have written pieces that combine the visceral with the cerebral. My works emphasize meaning, emotion, character. Does that make me, gasp, a woman writer? I am proud to be one. Yet it would be best if you regarded me as a writer.
We have largely been overlooked for too long, and this is the fifth year that my sisters in Horror and some of my brothers have attempted to spread the word, to shine a light on the achievements of ladies, so often overshadowed by guys, who tend to dominate the genre. I have never gone blog-hopping or done a blog tour of a new release. I thought I would visit some blogs to help make our presence known. This isn’t a blog. It’s a poetry column. But since I’m here, I figured I might as well tack up another appeal to take us seriously. Some think it will not be necessary to continue Women In Horror Month once our goal is achieved. I believe it will always be important to remember how far we have come, both males and females, in breaking down the barriers that still exist.
I hope you won’t find my enthusiasm for the creepy and macabre this month (and every month) too dull. I do not consider my writing solely for fans of Horror. As an author, a poet, I portray journeys of the heart and soul. I hope you will take them with me.
There are other things to celebrate in February: Black History, American History, International Friendship, Love, Cardio Health, and Cancer Prevention. Let us each choose something close to our hearts . . . and do our best to raise awareness that it matters.
horror sisters
They were the devil’s own daughters
Their mother was told
Born out of wedlock
Their morality sold
“You have brought this town shame
And must now pay the price!”
She was led to the altar
Of human sacrifice
Her belly carved open
The babies ripped out
Holding hands they were born
Spreading fear and much doubt
The mother lay buried
In the unhallowedest ground
A grave left unmarked
Meant to never be found
Satan’s daughters were shunned
And cast far far away
Mere infants abandoned
On an accursed day
Granted refuge by a preacher
Starkly raised by the cloth
Until girls became women
Transformed like a moth
In their breasts throbbed a pulse
To avenge a cruel birth
And so destiny beckoned
That they comb endless earth
Yet The Fates can be unkind
Ever leading to our doom
For these siblings no future
Would emerge out of gloom
The town’s guiltiness reeked
Of a blood-dripping past
There the ladies would know
They had come home at last
Desiree was pale and lovely
With eyes gleaming gold
Her sister as fair
But with orbs dark and cold
Grim Chastity’s smile
Was etched prim and unpainted
Her twin wore the smirk
Of a scarlet most tainted
Sleek manes flowed like nightfall
As they strutted and skipped
Lugging axes and knives
Keen and mordantly equipped
Having practiced in secret
Bearing malice-filled hearts
Hacking vegetables and fruit
Chopping dolls into parts
They slashed through the city
Bereft of sensation
Both sides unforgiving
In their rabid condemnation
Blind hatred melting to horror
Stained wide gaping eyes
Coarse screams would be silenced
By the shock and surprise
A single-minded madness
Led to the dark Judgement Day
Of soulless desecration
And spirits gone astray
Upon streets lined with red
The twins posing uncertain
With no thought beyond that
Which had closed like a curtain
Should they run or remain
To face the consequences?
Were they angels or demons?
Would they come to their senses?
These were questions unanswered
As some matters are gray
While the actions were evil
And no truth lies this way
For Lady Justice can be vain
Her grip unevenly scaled
Leaving lives with no balance
In a universe failed
To pen a tale of denial
Amidst the self-centered rages
Of frenzied pitchfork mobs
Who spill blood on the pages.
The Twisted Sister
Celia craved a sibling so much
That she borrowed one from neighbors
Snatched out of sleep
The family had eight girls
And wouldn’t miss the runt
A thin sallow-faced lass
Who was rather sickly
“I’m going to call you Dandelion,
For my favorite weed!”
With a smirk Celia hugged the girl
She kept locked in the basement
And dragged her old broken dollies
To play with the child
Like her they wouldn’t be missed
From a fancy pink room
Adorned by china-head ladies
And blinking babies
Several Barbies and Kens
A dollhouse with the most lavish details
But Dandy was ungrateful
Grown jealous and sarcastic
She wouldn’t be nice
So she had to go
Celia hauled her bound and gagged
Up the steps, out the door
Onto a squeaking red wagon
Which she pulled down the street
To the nearest orphanage
Where Sisters Of The Bleeding Heart
Would gladly take her
By then she had forgotten
Her real name
After seven years in a dank cellar
Imprisoned by a spoiled girl
Who told her she was abandoned
And she believed it
In a state of confusion
The convent was strict
But welcomed her to the fold
They dressed her in black
A shade drabber than her dungeon
The girl’s heart was as broken
As the ragged dolls
Her dark side had won
And out of habit would she
Do the devil’s work
Disguised as a nun
Taking sinister advantage
Of the suffering and poor
Dandy hunted the streets
Behind shrouds of shadow
Blending into the night
Collecting alms by force
Bending wills to her whim
Without pity or repentance
She carried a dagger
In a hidden pocket
For the slitting of throats
When she met a sinner
Who preyed on children
For that was her weakness
The only soft spot
Of a petrified soul
An angel of death
She was almost pure evil.
the swarm
Sisters they were, hatched from a bad egg
Antennas and wings, plus a bounty of leg
Wretched instruments of demise to the very last dreg
With a tremendous howl their multitude rose
Like a velvet blanket of miniature crows
Bent upon mayhem, wreaking panic and woes
As they wafted to the air on a billow of breeze
In undulating waves with majestic ease
The raunchy pestules of ravenous disease
Blood-sisters in a featherless flying horde
Droning like bombers through the sky they roared
Unleashed by Nature the darklings soared
Evolved from pollutants, from the carbonous smog
That was clogging the atmosphere with smoky fog
Reducing lakes to a brackish bog
Dispatched to ransack and wipe the slate bare
To start anew from the bottom of despair
Daughters of a mother’s ice-edged stare
Whose heart has grown cold at the indignities accrued
By indifference and hate, an avaricious brood
Her spirit is heavy, her disposition rude
There is no space for mercy, no place for regret
Only a relentless fury, an immeasurable debt
Unleashed in despondence to remove the threat
Of ungrateful children, a terrible spawn
She was unable to distinguish player from pawn
So all would pay in a funereal dawn
Fanning to far corners, a collective purge
Of lamentous humming in a wordless dirge
That would surround the globe and then converge
Females had long been muckraking the mess
Of Man’s ego and careless dreams of excess
A trail of progress yielding thoughtlessness
Until Mother Nature’s womb had been sealed
By bulldozers and concrete, riveted and steeled
The damage was done, it could not be healed
Except by a clean unflinching sweep
A munching, grunching, crunching reap
And there would be nobody left to weep
She had warned them of their injury in a loud refrain
With tremors and thunderclouds of lashing disdain
Her misery would lie on an inconsolable plain.
Big Sister
I
He was an absolute brat, no question of that,
And she wished him away, but he wanted to play.
With petulance he roared about being too bored;
She just gritted her teeth, how she gritted her teeth.
“You’re supposed to amuse me!” the whiner would plea
To a pair of deaf ears that ignored his best jeers,
For she hated the grind, babysitting his kind.
He was such an annoyance, an unholy annoyance!
“Shut up or I’ll clobber you!” Big Sister would shrew
With the tone of a fly zizzing effortless by,
And her fingers did curl to the fist of a girl
That could punch out his lights, his ornery lights.
The little rascal threw a fit when she wouldn’t submit,
As in fit to be tied, and believe me she tried . . .
He was worse than a tick though her skin was quite thick;
She wanted to smack him, to paddywack-smack him.
The most misunderstood can be less bad than good
And more like us than not, in our blood like a clot,
Very tough to avoid like a huge asteroid
That could crash on our head, flame and smash on our head.
“I am trying to read!” his big sister would plead.
A compelling page-turner so hot it might burn her
And could not be put down come a flood or hell-clown,
Just an insolent brother, a very insolent brother.
The teen imagined great trauma, made a wish for some drama
To unfold on her sibling, sick and tired of their quibbling.
In her mind he had crossed into the land of “Get lost!”
And she hoped for reprieve, how she prayed for reprieve.
Crassly pining to stuff him in a box or handcuff him,
She yearned to hogtie him, duct-tape or mummify him,
Bury his body in the sand, gag his mouth with a rubberband,
Or really get his nose, indeed pluck off his nose!
A victim of Fate, her folks were coming home late —
It was so unfair having the brat in her hair.
She would rather eat mud or drink her own blood
Than be saddled with him, she was addled with him.
There was no other choice, for she had lost her voice
And be conquered he must. Upside-down he was trussed
In a pair of suspenders. A reader never surrenders!
Now she’s lost in her book . . . she was absorbed by her book.
II
The truth is that brothers can truly be evil
Gretel knew hers was a pain after a walk in the trees
When he ate the bread crumbs and led her to a house
Made of candies but wouldn’t share (she even said please)
It was a sham, a foul plot; he meant to feed her to a witch
Then torture her dolls, steal her fairytale collection
Give her dresses to charity and receive a medal
So he shoved her inside without any protection
A lad embarrassed his younger sibling, a girl no less
Stood taller than him because girls grow faster
He couldn’t bear it and wanted to be rid of the bane
The “big sister” he was stuck with like a piece of plaster
The poor moppet was in tears until the witch arrived
History had it all wrong, they became excellent friends
And the witch taught Gretel her bag of tricks
How to spellcast and conjure, to control story ends
And decide who should live happily ever after
Being the ultimate judge of who wins or loses
Made Gretel a bit mad with the power of gods
Growing bossy as someone who can do as she chooses
Which was committing Hansel to an insane asylum
Confined to a strait-jacket in a rubber room
Eventually the guy would learn how to drool
And dream of weaving baskets on a golden loom
While Gretel became the world’s wealthiest girl
Writing horror stories that sold the best
And the moral of this tale is to find the silver lining
On a cloudy day when your brother’s a pest.
III
“Don’t bother me!”
Was her snarled refrain
As she self-importantly ignored him
Turning pages with a frown
Finally slamming the door in his face
She just wanted to read her comics in peace
Unperturbed, not driven to distraction by
The incessant whimpering whirling dervish
Of a hyper kid
Who could be a tempest tantrum
Sucking in and hurling objects
With wild-beast random fury
A cyclone of animosity
Directed at the closest recipient
Chiefly her
For he could be such a snowballing menace
An avalanche of frenetic intensity
That he was sending her over the edge
And finally he went too far
Motivated by frustration
A cry of anguish
An attention-seeking missile
He pushed her beyond
That tiny point of return
There was no coming back this time
When he snuck in again
And tore up her favorite issue
Of a series with the usual hero
Some guy in tights and a mask
She read it for the supervillain
A female
Curvy yet man could she fight!
She had the moves
Even her bad ones were good
She carried The Ace Of Spades
As a calling card
And now she lay ruined
In tatters
Undefeated by men
Shredded by a mere boy
The girl’s wrath boiled to steam
Pouring from her ears
“Didn’t I tell you to stay out of my room?”
A horrified shriek
“I warned you, don’t touch my stuff!”
Her battlecry
Before losing the last of her temper
Along with her mind
Going Big Sister on Lil Brother
Blowing proportion sky-high
To the moon like a rocket
With a nuclear warhead
He would pay for this
They all would
Those musclebound he-men of brawn
Let them try to stop her
She dared
With a heart turned to stone
And thus heroes or villains were born
It wasn’t always an accident
Sometimes they were created
Like monsters
By scientists or rotten kids
Diseased to the core
Because she wouldn’t cooperate
Refused to join his silly romps
The idle senseless roughhousing
Of a child without friends
She would stuff him in the toaster
Then eat him with jam
Revenge had never tasted
So sweet.